Case file 001Killers & PoisonersCold War (1945–79)

A Killer Pool

A childhood neighbor's backyard pool hid a mailroom murder, a lenient sentence, and decades of unanswered questions in a Philly suburb.

Jan 13, 202323 minRe-aired Jun 6, 2025 as Revisiting A Killer Pool
00:00 / 23:00
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In this episode

  • The pool with only two rules — and the dad who hosted it but never once got in the water
  • What happened in the mailroom of the Philadelphia Inquirer at one in the morning — and why no one could ever explain the dispute behind it
  • The forty-four-year-old victim's quiet passion — and the strange symmetry it revealed between killer and victim
  • Three to fifteen years, and the words a judge used in open court that still don't sit right decades later
  • Why a Google Earth search decades later ended with a decision to leave one name out of this story

“It’s clear that you are not a criminal type. This violence was caused by an outburst that should not have ever happened.”

The story

There was a swimming pool at the end of the street, and for a while it was the best thing in the world. A neighbor family in a post-war blue-collar suburb on the Jersey side of the Delaware — a suburb built for the men who'd worked the Philadelphia Navy Yard — had a huge in-ground pool that took up their entire backyard, and they let every kid in the neighborhood use it. Come whenever, in or out of the family, as long as you closed the gate and hauled out your own trash. No supervision required, no questions asked. For a kid, it was about as good as life got.

A man who never swam

The dad wasn't around much. He worked a union job in the mailroom of the Philadelphia Inquirer — the paper's paper of record — and when he did come home, he'd push through the wooden gate in his work clothes and just stand there watching the kids splash around. He never got in the water himself. Not once, in all those summers. He'd say something small and harmless — "good day to be in the water!", kid's having fun — and that would be it. He was quiet. Mild-mannered, mostly. A hard worker who'd put in twenty-eight years at the paper without a single red flag. His wife worked too, as the head waitress at a 24-hour diner between Philly and Atlantic City — she was, in fact, the person who got the narrator her very first restaurant job, the one that helped pay for college. The narrator babysat the couple's first grandchild for a year. She was around this family constantly. And she never really knew any of them at all.

Something about their house never sat right, even though it had the same floor plan as her own grandparents' place a few doors down. The blinds were always shut, the curtains always drawn, the air inside heavy in a way the sunny, treeless pool never was. She babysat that baby for a year and never once stayed in their house overnight — always at her grandparents' instead. She couldn't say exactly why. Just a feeling.

The night he went berserk

Then, one unbearably sticky August afternoon — years before the babysitting, when she was still a kid herself — the quiet dad went to work the night shift and, at around one in the morning, he snapped. The papers used the word "berserk." He stabbed a coworker to death in the mailroom with a pocket knife and wounded two others. He was the supervisor, not a rank-and-file worker with a grievance, and no one could quite explain what the working-conditions dispute even was. He fled covered in blood. There was a manhunt across Pennsylvania, New Jersey and Delaware. It didn't last long — he turned himself in wearing a clean shirt, with a lawyer at his side.

The painter he killed

The man he killed was forty-four, childless, and — in a detail that didn't surface until decades later, when the narrator finally tracked down the archived coverage behind paywalls and old microfiche — a painter. His neighbors called his paintings Disney-like. His great joy, by all accounts, was giving them away to kids on his street. Two men, in wildly different ways, had each spent their off-hours being generous to the neighborhood's children. Only one of them lived to keep doing it.

The weird part

The man who died in that mailroom stabbing spent his off-hours giving away paintings he'd made himself to kids on his street — the same quiet role the man who killed him had, in his own way, played at the pool for years. Two men, both devoted to the neighborhood's children in wildly different ways, and only one of them lived to keep doing it.

Three to five years

What happened in court was, in its own way, just as strange as the killing. The judge sentenced the mailroom supervisor to three to fifteen years — three to five for the murder itself, the rest served concurrently for the two woundings — and, in open court, urged the widow of the man he'd killed to forgive him, telling the defendant that he was "not a criminal type" and that the violence had been "caused by an outburst that should not have ever happened." The Inquirer fired him immediately. The courts, the press, the community — by the narrator's reading of the old clippings, all of it showed him a gentleness that still doesn't sit easily decades later.

What we did with it

Life did what it does. The family sold the house; a new family moved in and used the pool, though the old neighborhood kids never went back. Every so often someone would bring up "Mr. So-and-so" who "stabbed those guys at the Enquirer," and somebody would say it's always the quiet ones, and everyone would laugh — and then remember that the quiet one wasn't a stranger from the news. He was the guy who used to say "good day to be in the water!"

He's still alive, older now, presumably frail. His wife has died. The narrator, working from names, dates and an address she still has memorized, found his current house on Google Earth and thought about it for a long time before deciding to leave his name out of this story. Some sleeping dogs, she figured, could stay asleep — at least for now.

The transcript

Chapters & full transcript3,690 words
Chapters
  1. 00:48The dad with the pool
  2. 01:05The stabbing and the manhunt
  3. 03:03What happened in the mailroom
  4. 11:40A quiet, distant presence
  5. 18:29A surprisingly lenient sentence
  6. 20:37The aftermath

This transcript was generated automatically from the episode audio and may contain errors. Times are approximate, since ad breaks can shift them by a minute or two.

00:00

Why are you so weird? Anybody ever asked you that question? And what's your answer? Do you think that we're born a little bit quirky? Or does life make us that way, one strange experience at a time? And what counts as strange anyway? UFOs? Ghosts? Spotting Sasquatch? How about murder? They got a small beam of light again.

00:32

I don't know. Truth. Weird. Stuff. When I was a kid, we had a neighbor who snapped one unbearably sticky August afternoon and attacked his co-workers with his pocket knife. He stabbed one of them to death and wounded two others. This was a big news story at the time, probably because he worked for the Philadelphia Inquirer in the mailroom.

01:10

Philadelphia Inquirer is like the paper of record for Philly. And he'd been employed by the newspaper for 28 years. There'd never been any incidents or conflicts and all that time that set up any red flags. He was literally every cliche. He was quiet. He kept to himself. He was mostly mild mannered, although some co-workers said he could be a hothead if you ticked him off.

01:35

He was a hard working family man. And I knew that that last part was true for sure. He and his family lived four houses down from my grandparents, a completely average street in a post-war blue collar suburb in New Jersey. It was a suburb that had been built for all of the people, all of the men mostly that were stationed at the U.S. Naval Shipyard in Philadelphia.

02:01

They needed a place to live right post-World War Two. And so this suburb on the Jersey side of the Delaware River sprang up. And and that's primarily the people who lived there. And this particular family, they had kids. There were four kids. And the youngest was a friend of my little brother's. And they had this huge in-ground swimming pool in their backyard.

02:24

It's huge. It took up the whole yard. And they were incredibly generous to all of the kids in the neighborhood. We were always welcome to come and swim. Now, this was back in the day when people didn't worry so much about liability or whatnot, because we were invited to come swim, whether they were at home or not, whether they were in the pool or not.

02:45

There were just a couple of rules. You had to close the gate after you came in and you had to take any trash that you made with you for a kid. Is that not as awesome as it gets, Max? Like, is that not the greatest possible scenario? Absolutely. Imagine a free indoor in-ground pool, a couple doors down. So this man was one of the dads that you didn't see around much.

03:07

Now, unlike my own dad, he had a real job. It was a union job at the Philadelphia Enquirer. Some days he'd come home from work and he'd park his car and he'd push through the gate of this big, high wooden fence that surrounded the swimming pool. And he was always wearing the same clothes. So maybe it was a uniform. And my memory of him is a man who was kind of like folded in on himself, you know, kind of small and tired.

03:36

And he'd stand there watching these kids, sometimes his own, and sometimes it was just neighbor kids splashing around in his pool. And he'd say something like, the kid's having fun. Or he'd say, good day to be in the water. Something like that. Right. Something completely innocuous. He never got in the pool with us. I never knew him to so much as put a foot in that swimming pool.

04:01

It was like they built it and he paid for it. And that was where it ended. And you know how it is when you're a kid, how your friend's parents seem, especially the dads, and maybe especially the dads back then. They were side characters who made an occasional cameo appearance in your life. Right. Best case scenario, you'd get one of those dads that would like pull a quarter out of your ear.

04:25

But more typically, they'd be yelling about the noise. I'm Gen X. We completely missed out on the father knows best kinds of dads. And we were way too early for the super involved millennial dads that followed. Other people's dads for us were background. They just weren't anything that we paid that much attention to. And this dad, this man, he was that times a hundred.

04:49

And his wife worked, too, which was also kind of unusual. She was the head waitress at a 24 hour diner midway between Philly and Atlantic City. And I actually owe her a huge debt because she's the person who got me my very first restaurant job. And that opportunity and what I learned from her is what helped me pay my way through college.

05:08

Plus, I babysat their first grandchild, too. So I was around this family often and in a lot of different ways. But I never knew any of them. Not really. There was the giant swimming pool where I sent so many sunburnt, chlorinated afternoons, and there was their house, the same model and floor plan as my grandparents. But somehow that was utterly alien to me.

05:36

And I remember thinking that they were much older than the other parents. But I know now that that wasn't true. Memory can be the most untrustworthy thing sometimes. So when I say that their house always felt dark and heavily quiet, that the pool was the only place where there was any light or lightness, I could be wrong.

05:57

I could be misremembering. I could be letting the things that happened later smear the memories of what came before. So, yeah, memory is a tricky thing, right? Our memories are always kind of rewritten and overwritten by the things that happen later. But then I think, you know, I was a child of chaos. I was really sensitive to conflict because in my family, in my world, conflict meant that there was potential violence.

06:31

And I was like a little animal always scanning the environment for threats. And there was something about their house that I just did not like. The familiar layout should have been welcoming, but it wasn't. And that cool darkness that should have been welcoming. There were no trees shading that swimming pool. And on sunny days, it was relentlessly hot and glaring.

06:54

But it wasn't. There was a weight to the silence and a weight to the shadows. I didn't know anyone who kept both their blinds and their curtains so tightly closed. That house made me so uneasy that I never once stayed there to babysit. I can't remember now how exactly it was that we came to the arrangement that we did.

07:17

But when I watched that sweet baby boy, their only grandchild, it was always at my grandparents house. It was never theirs. I never and I babysit that baby for a year. I never once stayed alone in their house. I'm being super careful to not use names in this story. It's something that I thought about a lot. I was surprised, you know, to find that my former neighbor is still alive, although his wife isn't.

07:46

And I thought about what he'd done and what all the consequences were. And I asked myself, do you want to kick that sleeping dog? Do you want to risk causing fresh pain to this family that's already suffered so much? And what about the victim's family, the families of the men who'd survived his attack, his attack? I I really struggled with what was the right thing to do.

08:10

What was the ethical thing to do? Because this is a really hard story to unearth with just a Google search. You'd have to be pretty determined. Why is that? It wasn't easy hunting down the original news coverage for this because it all happened pre-Internet and not every news story has been digitized. So the archives that hold this particular story are behind a paywall.

08:36

You'd either need to be like one of these super Internet sloops, which I'm not, or a hacker, which I'm not, or have access to some pretty comprehensive microfiche to get your hands on the info or you'd have to pay. And I know exactly what I was looking for. I had names, I had dates, I had addresses, and I still had to jump through all of these really daunting hoops to get this information.

09:00

And then I pulled up Google Earth and I studied the house where my former neighbor now lives. And he's old and he's probably frail and he's done his time. And I just don't know. You know, there are a lot of ethical conundrums around true crime. You know, a lot of exploitation of people that have been victimized. And and it's just a little bit of a minefield.

09:25

You know what I'm saying, Max? Like it's it's hard to know where the lines are, don't you find? Yeah, that's one of the it's one of the conundrums in dealing with that because you don't want to glorify it. And and also, like a lot of people were involved in this, all of his kids, his grandson, his wife, like so many people suffered.

09:46

The victims, their families, so many people suffered. And I just I didn't know what to do. And a wise person told me once a long time ago that when you really are stuck and you don't know which decision is the right decision, it's it's OK to pause and wait for the answer to come. Just give it some time. And and I pause and I wait it.

10:06

And honestly, I'm still waiting for the answer on this one. So I'm going to withhold the name for now, but I will tell you that it was surreal to finally see photographs of the newspapers that carry the story. It was so surreal to see his name and address and print the address where we spent so many summer afternoons.

10:26

And I'll tell you, it was shocking to see the gentleness and compassion shown to him by the court, the press, the community. I mean, he committed murder after all. He stabbed a co-worker to death in the mailroom of a Philly newspaper. That is a close up frantic, awful, messy, wet kind of killing. It's a personal kind of killing.

10:51

And it happened in Philly. I once saw a grandma punch a man right in the face at a hockey game. Philly is the last place I'd expect to see a killer treat it with kindness. But I'm getting way ahead of the story. Workplace killings are pretty common now. School shootings are pretty common now. We've come a very long way in the wrong direction since that August afternoon when my neighbor plunged a knife into the gut of a man he'd known and worked with for years.

11:20

Today, if that very same thing happened, you'd be horrified. You'd be heartbroken for the victims and their families. But what you wouldn't be is shocked. Shocked is what we were, though, because that tired dad who insisted we enjoy his backyard pool. He killed a man at work today, and he did it with his own hands, with a pocket knife.

11:46

And then he ran, covered in another man's blood. There was a manhunt that covered Pennsylvania, New Jersey and Delaware. It was all over the news. Now it was a brief manhunt because he did eventually surrender in a clean shirt with a lawyer by his side. Try making sense of that. Like, I never could. And I still I still can't.

12:08

You know, like when when a neighborhood kid that you play with, when his dad commits cold blooded foul murder like that. Hmm. That takes some getting used to to get your mind wrapped around that. And I was already kind of an odd child when it happened. And it confirmed something that I already believed. This whole world is a wild card.

12:32

I think when you have these kinds of experiences as a kid, you end up striking a very different sort of bargain with reality, knowing that terrible things really can and do happen because terrible things are happening to you and around you. It makes you a little, I don't know, braver, maybe about the other things that can and do and might happen when the world breaks open and shows you that the real, real, real truth is chaos, colors and scribbles everywhere, everything spilling outside the line.

13:10

Could that be the thing that makes you just a little bit weird? Or are we drawn to the strange, the mysterious, the bizarre, the unsettling? Because we think that knowing about these kinds of things can protect us in some way. After all, the aliens might abduct me and experiment on me. But the joke's on you, alien commander.

13:33

I always knew you were coming. It sounds crazy and it makes you feel crazy. But being weird can be a phenomenal thing, being weird or to put a kinder and less judgy spin on it. Being a person who thinks and or lives outside the mainstream of thought, which makes it sound so much better than being a weirdo. Right, Max? Being that kind of person has all sorts of benefits.

13:58

Did you know that people who are a little bit weird, who think outside the mainstream are better at creative problem solving? And people that are weird have the ability to see the world through multiple perspectives. Many of our most gifted artists and thinkers describe themselves as having been odd or peculiar children.

14:20

And it's kind of different, you know, in those air quotes as adults. There is a book published in the mid 1990s by Dr. Anthony M. Ludwig called The Price of Greatness. So Dr. Ludwig is a psychologist and a professor at Brown University, and he looked at over a thousand people, Amelia Earhart, Marvin Gaye, John Lennon, Frida Kahlo, so many more.

14:45

And he made the case in that book that creativity and creative thinking and weirdness tend to travel together. Now, doesn't it feel so good to be in such awesome company, right? And then there was another super interesting study out of the Johns Hopkins School of Business who found that people who feel like they don't belong, who are just a little bit like outside of the mainstream, a little bit out of step.

15:10

Those people have a huge advantage when it comes to creativity and innovation. And who wouldn't want that? Plus, have you tried belonging? And I hate the clothes. And it's so hard to remember to not bring up UFOs and reincarnation and conversations. Oh, who can pull that off day in and day out? I mean, Max, don't you find it exhausting when you're in a room full of strangers and you're not allowed to talk about the things you're really interested in?

15:34

And instead, you have to talk about the weather and like, I don't know, taxes. Isn't that the worst? It is. Yeah. And isn't dressing like a normal person. The clothes are just so tight and scratchy. Anyway, back to my neighbor. So what happened in the mail room of the Philadelphia Inquirer that day? What was the final straw?

15:58

Something I've thought a lot about in all the years that have passed is what was he thinking as he made his way through the toll booth on the Walt Whitman Bridge as he parked his yellow VW Beetle and pocketed the keys? Was he ruminating on a past insult from that coworker, thinking of all the clever and cutting things he should have said?

16:20

You know how we do, right? Or was he thinking about like that the grass needed cutting or that school was going to start soon and his kids needed new school clothes? Maybe he wasn't thinking about much of anything at all. The papers say that at around 1 a.m. because he was working the night shift at around 1 a.m., he went berserk.

16:42

That's the word they used. Berserk. The papers say that the dispute was over working conditions, but my neighbor was the supervisor. So what happened? He was described by one coworker as a loner who, quote, talked to everyone, but had no one in the mailroom. You could consider a friend. And quote, I look back now with this sick feeling because I see how that could have been true of his whole life.

17:10

You know, yeah, he had a family, but they all seem to exist in separate orbits from each other. And yeah, he was married. But again, there was just something so very separate about him alone. He was there, but not. And maybe the thing that made me feel so uneasy in their house is that it really was haunted. And he was the ghost all along.

17:37

The man that my neighbor killed had no children of his own. But here's a gut punch of a detail. The murdered man, only 44 years old when he was killed, loved to paint. His neighbors described his paintings as Disney-like and said that his great joy was to give the paintings he made to the kids in his neighborhood. And I never knew that until now.

18:00

I never knew that the symmetry existed between the killer and the victim. Never knew that both men, each in his very different way, played such a good and kind part in the lives of the neighborhood kids. And it's so weird to think about it that way. And then came the part that I wasn't expecting at all. And that was leniency.

18:22

One man died. Two other men were gravely injured. And for these crimes, my neighbor was sentenced to three to 15 years in prison. He got three to five years for the murder. Max, three to five years. The balance of his sentence was to be served concurrently for the assaults that wounded the other two victims. And that's it.

18:47

The judge in the case, then in open court, urged the murdered man's widow to forgive his killer and told the defendant, quote, It's clear that you are not a criminal type. This violence was caused by an outburst that should not have ever happened. OK, well, OK, what? I mean, yeah, I think we can all agree that this was for sure an outburst that should not have happened.

19:15

And and they also the press also noted that the Philadelphia Inquirer fired him immediately after the incident. So I guess we live in much more savage times now because, hello, you should absolutely be fired for attacking your co-workers and killing one of them. And three to five years for murder, however impulsive and non premeditated, kind of feels like a slap on the wrist.

19:41

And as I was reading this news coverage from back in the day, I thought, oh, my God, it's almost like Philly used to actually be the city of brotherly love, not just the slogan that we wear on the T-shirts. Right. So weird. In fact, seeing how gently and compassionately the Philadelphia courts dealt with my neighbor is honestly one of the weirdest aspects of the whole case for me.

20:05

Like in what universe, Max, were you expecting to hear that? No. Three to five years. So what happened next? Well, what always happens, because you know how it is. Humans are so good at moving on and forgetting. The kids grow up. The old ones die. People want and need to turn away from tragedy and sorrow and the knowledge that it really and truly can happen to you, to anyone.

20:34

So that's what we all did. We turned away. The house with the giant inground pool was sold and a new family eventually came and they played in that water. But we didn't. Not ever again. And every so often, one of us would say something like, hey, remember when Mr. So-and-so stabbed those guys at the Enquirer? And then we Google his name and we'd never be able to find much of anything.

20:58

And somebody else would say, oh, it's always the quiet ones. Everyone would laugh. And then we would look at each other because this quiet one wasn't a stranger. This quiet one was the dad down the street. And because we may have only been at the very farthest edge of his swimming pool, his actions created ripples that none of us could outswim.

21:23

Not then and not now, because when the world shows you what it really is and all of its incomprehensible strangeness and mystery and beauty and violence and coincidences that aren't coincidences at all, it leaves a mark. And I think if you're lucky, really, really lucky, the market leaves. It's going to make you just a little tiny bit weird.

21:46

And that's a good thing. Next time on True Weird Stuff, it was just a regular day in the village until a couple of children wandered out of the woods dressed in clothing that no one had ever seen before. Speaking of language, no one had ever heard before. And the kids were bright green. True story. True story. Next time, True Weird Stuff is a Now! Media production.

22:18

Our executive producer is Anthony Garcia. The show is written and hosted by me, Sheri Lynch, along with my deeply weird director, Max Sweeten. Our equally odd producer is Kary Bowser. Additional production by the mysterious Stephen Call. Our digital witch and social media cult leader is Heather Furr. Original graphics by Kevin Nash.

22:40

Original artworks by Olivia Axland. True weird original music composed and performed by Jack Griffin and Zane Nash. Copyright 2023. Now! Media. All rights reserved. All wrongs remembered.

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